"Let’s talk about what’s great in this play: the incandescent performance of Jennifer Hopkins as Beth. She is fully committed to her character from the first moment of the edgy, sexy conversation between her and James Shaw which opens the play, and there is never a moment thereafter where we don’t know who she is.  And who she is is complicated: a bundle of anxiety who is aroused by her own fear. She snarls and stalks, but is at the same time haunted. She is a ticking time bomb, set for sixty seconds. She, like several other characters, must make a rapid transition toward the end of the second Act, but she has laid her foundation from the get-go with her twitchy portrayal of this unique woman."

- DC Theatre Scene

"As Lady Macbeth often is, Jennifer J. Hopkins is a scene stealer as Elizabeth Wright Macilwraith. She slinks across the stage like the serpent under the innocent flower, constricting each character in turn, until she suffocates herself. Elizabeth’s moments of uncertainty are where Hopkins truly shines."
- Maryland Theatre Guide

"Jennifer is blessed with a distinctive and expressive voice – sometimes a cello, sometimes a purring feline."

- DCist

"Hopkins is at turns warm, cryptic, and disarmingly funny…delivering an emotional gut-punch."

-DC Theatre Scene

"Behrman imbued Marion with a kaleidoscope of colors and shades, so there is more to her than promiscuity and a laissez-faire attitude. She is also sensitive, loyal, persuasive, sensual, and altogether fascinating. I would think an actress would trade in her grandmother to play such a role. At American Century, Jennifer J. Hopkins doesn’t have to disturb her grandmother at all; she just needs to keep doing what she is doing. Marion’s wanderlust, joie de vivre, and considerable charms are made tangible in Hopkins’ adept portrayal.

- DC Theatre Scene